Mixing Rich Blacks and Pretty Grays
"At the End of the Day II" (watercolor with pen and ink) by Helen K Beacham - Sold. No black used in this painting, other than the drawing lines. |
Burnt Sienna + French Ultramarine Blue
Cadmium Red Light + French Ultramarine Blue
Cadmium Red Light + French Ultramarine Blue + Aureolin Yellow
Alizarin Crimson + Thalo Green
Alizarin Crimson + Hooker's Green
Alizarin Crimson + Hooker's Green + French Ultramarine Blue
There are infinitely more mixtures available to you...this is just a start.
If you add more water to the mixes shown above, you transform the blacks into beautiful, soft grays. Extra tip: Really, any mixture of 3 primaries will result in pretty grays. Even in the 2-color mixtures above, if you think about it, it's 3 primaries that you're using. For instance, in the Alizarin Crimson/Hookers Green combo, the green is made up of yellow and blue. Added to the red (Alizarin Crimson), you get a gray. There are an infinite number of combinations you can make as a result of whatever colors you already have on your palette.
As for my ivory black and lamp black, I'll sometimes add just a Touch to a mixture when I want it to bleed more or cause some granulation in my wash. It's not even usually to make something darker. Try it yourself and see!
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These are just so visually stunning, Helen. The types of watercolors I wish I could master. Beautiful blendings, vibrant colors, sharp image...Perfect!
ReplyDeleteThx, CrimsonLeaves! How long have you been painting?
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